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Archaic Latin

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Capitalis Monumentalis

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Rustic Capitals

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Roman Cursive

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Capitalis Quadrata

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Medieval Regional Scripts

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Uncial script

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Half-Uncial

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Carolingian Minuscule

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Gothic Majuscule

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Early Gothic Minuscule

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Rotunda

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Textura

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Gothic Cursive Script

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Bastarda

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Humanist Minuscule

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Humanist Cursive

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Renaissance Antiqua

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Fraktur

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Baroque and Classicistic Cursive

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Baroque Antiqua

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Classicistic Antiqua

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Sans-Serif

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Slab-Serif

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Modern Handwriting Scripts

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Fibula Praenestina

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Forum-Cippus

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Roman Monumental Script (concave transitional form)

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Roman Monumental Script

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Early roman Majuscule Cursive

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Classic Roman Cursive

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Roman Monumental Script (transitional form)

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Classic Capitalis

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Roman documentary script from Pompeii

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Classical Roman Document Cursive

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Love verse in Roman cursive

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Scriptura Actuaria from Pompeii

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Capitalis Monumentalis from the Trajan Column

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Roman Classical Cursive of a papyrus document

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Roman Uncial Script

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Roman Monumental Script (Ornamental Form)

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Roman Uncial Script

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Roman Uncial from the “St.-Cyprians-Epistels”

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Roman Capitalis Quadrata

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Rustic Capitals from “Vergilius Vaticanus”

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Capitalis from “Vergils Aeneis”

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Half-Uncial from “De Trinitate” by Hilarius of Poitiers

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Carolingian Minuscle from the “Homilien of St. Maximus”

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Half-Uncial from the “Lindisfarne Gospels”

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Uncial Script

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Uncial from St. Cuthbert’s Gospel

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Early Carolingian Minuscule

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Irish Half-Uncial from the “Gospel of Matthew”

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Carolingian Minuscule of Corbie Abbey

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Square Capital (ornamental shape)

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Irish Semi-Uncials from the “Book of Kells”

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Carolingian Minuscule from “The Life of St. Martin”

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Carolingian Minuscule from the “Moutier-Grandval-Bibel”

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Classic Capital from “Aratea”

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Square Capitals

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Romanesque high form of the Carolingian Minuscule

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Gothic Book Minuscule

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Carolingian Minuscule from 12th century homilies

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Curial Minuscule

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Beneventana from the Brevier of Montecassino

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Early Gothic Minuscule from the Nibelungen Manuscript C

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Littera Beneventana

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Early Gothic Minuscule from the Psalterium from Schaffhausen

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Italian Chancery Script

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Early Gothic Majuscule of a tomb slab

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Textura from the “Alphonso-Psalter”

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Textura from the “Codex Manesse”

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Textura from the Metz Pontifical

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Gothic Majuscule of a Building Inscription

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Textura from the Chronicle of the World by Rudolf von Ems

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Gothic Majuscle

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Gothic Cursive from a Plenarium of Hermetschwil Monastery

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Lettre Bâtarde

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Textura

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German handwritten Bastarda

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Humanistic Minuscule

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Textura from the Gutenberg Bible

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Venetian Antiqua from “De praeparatione evangelica”

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Venetian Antiqua from “Epistulae ad familiares”

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Rotunda from Euclid’s “elementa geometrica”

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Lettre Bâtarde from “Vigilles de Charles VII”

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Aldin’s Antiqua from “De Aetna”

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Humanistic Minuscule from the ”Book of Hours of Giovanni II. Bentivoglio”

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Aldin’s Italika from “Book of Horace”

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Constructed Renaissance Majuscules from “Divina Proportione”

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Prayer Book Fraktur

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Renaissance Italic

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Cancellaresca from the copy book of Giovanni Antonio Tagliente

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Cancellaresca from the manuscript of “De revolutionibus orbium coelestium” by N. Kopernikus

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French Renaissance Antiqua

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Cancellaresca from the Cataneo Manuscript

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Callipgraphic Rotunda from “Ein nützlich und wolgegrundt Formular”

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Secretary Hand from the Copy Book by Beauchesne & Baildon

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Lettera Mercantesca from the “Compendio del Gran Volume de l’arte bene et liggidramente scrivere”

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Gothic Majuscle (Ornamental Form) from “Kunstrichtige Schreibart”

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Cancellaresca Moderna, “Schrijfvoorbeeld met kapitaal H, Hans Strick”

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Antiqua of the French Renaissance Type

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Italica of the French Renaissance Type

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Chancelleresque Pleine from “Les ecritures financieres, et italienne-bastarde dans leur naturel”

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Romain du Roi

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English Round Hand from “The Universal Penman”

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English Baroque Antiqua from “Publii Virgilii Maronis Bucolica, Georgica et Aeneis”

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Baroque Antiqua from the “Baskerville Bible”

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Bâtarde Italienne from “L’art d’écrire réduit à des démonstrations vraies et faciles”

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Fraktur from the “Zürcher Zeitung”

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Walbaum

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German Kurrent script from a letter of Goethe

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Sans-Serif “Two Lines English Egyptian”

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Bodoni from the Manuale Tipografico

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Slab-Serif “Antique”

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Spencerian from “Real Pen Work. Self-Instructor in Penmanship.”

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Akzidenz-Grotesk

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Bold Fraktur from the type foundry D. Stempel AG

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Alte Schwabacher

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Sütterlin Script from “Neuer Leitfaden für den Schreibunterricht”

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Garamond der Stempel AG

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Fraktur from the book title of the novel “Steppenwolf”

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Ideal-Schreibschrift

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Firmin Didot

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Rockwell

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Zentenar-Fraktur

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Latin Foundation Script of the Iserlohn writing circle

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Neue Hammer-Unziale

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Univers

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Duc de Berry

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Mrs Eaves

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DIN Next Slab

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